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Maps |
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Everything Sings:
Maps for a Narrative Atlas
Though Denis Wood had been mapping things since elementary
school, he had never really thought of himself as a mapmaker until
Ira Glass, interviewing him for This American Life, asked
him if he made any maps himself. What he ended up talking about
was Singing and Dancing: A Narrative Atlas of Boylan Heights,
incomplete and unpublished though it was. Since the interview drew
attention to the atlas it has been fairly continuously on display
in one form or another. It was published by Siglio Press as the
book, Everything Sings: Maps for a Narrative Atlas, in
November, 2010.
The project grew out of desperation. Assigned to teach
a landscape architecture studio in his second semester at North
Carolina State – this would be spring 1974 – and with
zero knowledge of landscape architecture, Wood taught what he knew:
how to pay attention to the environment. Since his students were
bright and graphically literate, he pushed them to map the neighborhood
in ways that would fully exploit their acumen and imagination, what
the neighborhood smelled like, for example, what it sounded like.
(What is the sound, the smell of landscape architecture?)
The project rapidly acquired a momentum of its own and in a series
of studios in the early and mid-1980s grew into Singing and
Dancing: A Narrative Atlas of Boylan Heights. This “narrative”
atlas – a subject Wood theorized in a presentation to an school
atlas conference at the University of Calgary in 1986 (“Pleasure
In the Idea: The Atlas As a Narrative Form,” Cartographica,24(1),
Spring, 1987, pp. 24-45) – advanced the thesis that neighborhoods
are “transformers,” forms of organization that transform
individuals into citizens and citizens into individuals, that mediate
between the natural gas fields of Texas and the burner on your stove,
between geologic history and a stroll downhill to the store, between
the universe and the stars you can see through your window. The
atlas tried to establish this with maps of the neighborhood along
a rich diversity of dimensions: stars visible from the neighborhood,
geology, underground infrastructure, trees, traffic signs, property
ownership, assessed property values, fences, Halloween pumpkins,
wind chimes, fall leaf colors …
Until recently only 40 some pages of a projected 125 had ever been
completed, but during the past year work on the atlas began anew.
For the forthcoming Everything Sings maps have been redrafted,
drafted maps have been finished, and new maps have been made. Below
is a list of places where the original atlas was reproduced or exhibited.
Click
here to order Everything Sings.
Click here to view some of
the original versions of the Singing and Dancing pages
from the mid-1980s.
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1989 |
Our Town, a program of the Brattleboro
Museum and Art Center, Brattleboro, Vermont. Wood presented the completed
pages of the Boylan Heights atlas in an evening talk and the next
day gave a walking tour. Sheridan Bartlett described the atlas and
the tour in “What Do They Drink in Westminster? Teachers and
Students Explore Community in Southern Vermont,” Small Town,
November-December 1990, p. 4-11 (the atlas and walk on p. 6). |
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1992 |
Wood reproduced the underground map
in The Power of Maps, Guilford, New York, in 1992, p. 19. |
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1998 |
Ira Glass interviewed Wood on This
American Life, and as it turned out, most of what he put on the
air was about the Boylan Heights atlas. Several plates from the atlas
were put up on the This American Life website, which is here. |
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2001 |
Four maps were included in the exhibition
The World According to the Newest and Most Exact Observations: Mapping
Art + Science, at the Tang Teaching Museum at Skidmore College in
Saratoga Springs, New York, March 3-June 3. This earned the atlas
a paragraph in the Boston Globe, 2 May: “Contemporary
artist Denis Wood demonstrates different ways to know your environment
in a series of drawings called ‘Dancing and Singing: A Narrative
Atlas of Boylan Heights.’ He maps his neighborhood in terms
of Halloween pumpkins, sidewalk graffiti, heel marks, and fences made
from chain link to wrought iron to picket, each denoting a different
level of wealth and style.” Four images from the project were
reproduced in the gorgeous catalogue, The World According to the
Newest and Most Exact Observations: Mapping Art and Science,
pp. 80-81. These were original art, sketches for maps, not the final
plates. |
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2002 |
Genius Loci Symposium, which accompanied
the Genius Loci exhibition at SCI-Arc, Los Angeles, 17 March. Wood
presented the atlas as a member of a panel that included Norman Klein
and Eddo Stern/Jason Brown. |
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“They’re All Over the Map,”
by Sara Steindorf, The Christian Science Monitor, April 9,
pp. 11 and 16-17. The underground map from the Atlas occupies half
of page 11. |
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New London, New Hampshire, where the
Vermont Institute for Natural Science was holding its Community Mapping
Program Summer Institute at Colby-Sawyer College, 26 June. Wood presented
the atlas as part of an evening talk. |
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The Atlas earned a paragraph in Karen
Romano Young’s Small Worlds: Maps and Mapmaking (New
York, Scholastic, 2002), in a call-out box (p. 40) headed, “Mapmaker:
Denis Wood: Cartographer Denis Wood has made many maps of his town,
Boynton Hills, Illinois. Wood mapped the sewer system, including the
drains, hydrants, and manhole covers,” and so on. Given the
transposition to Boynton Hill, Illinois, it’s likely she only
heard the This American Life interview, but knew how to spell
Wood’s first name from The Power of Maps which is in
her bibliography (but which she obviously hadn’t read). |
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2003 |
“Two Maps of Boylan Heights,”
was a feature in Katherine Harmon’s beautiful You Are Here:
Personal Geographies and Other Maps of the Imagination (Princeton
Architectural Press, New York, 2004, pp. 104-107). The piece comprises
a little essayette and three maps: a cropped pumpkin map, a newsletter
map, and a little locator map (first publications for all three),
each oriented in a different direction. |
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2004 |
“Downtown Neighborhoods: What
Is and What Will Be” was a show featuring the Atlas
at Raleigh’s designbox, 315 Bloodworth. Their email invitation
to Wood’s lecture featured the “Stars” plate from
the Atlas. This was picked up and published in The Independent,
March 31-April 6, 2004, p. 51. Fifty people attended the talk while
across the evening over 200 checked out the atlas. |
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“Book urges us to discover the
maps in our minds,” was a review in the Sunday News and
Observer, May 23, 2004, p. 5G, of You Are Here, which
devoted two paragraphs to the pumpkin and newsletter maps. |
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Excerpts from the overhead map appeared
on the front and back covers of Two Lines: a Journal of Translation:
Power, 2004. Two Lines is a project of the Center for
Art in Translation in San Francisco. |
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Princeton Architectural Press did a
second printing of Kitty Harmon’s You Are Here in which
the Atlas maps were printed in their correct orientation. |
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2005 |
The street map from the Atlas
was reproduced in Jean Robertson and Craig McDaniel’s Themes
of Contemporary Art: Visual Art After 1980, Oxford University
Press, New York, 2005, p. 79, in the chapter on place and art: “In
the early 1980s Denis Wood created a series of maps …” |
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The pumpkin and associated maps from
You Are Here were featured on a segment of the A&E show,
Breakfast with the Arts that aired March 13th, anent an interview
with Kitty Harmon about You Are Here. |
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2006 |
The traffic and pumpkin maps were featured
in the “Ce n’est pas le monde” “comic book”
which Wood and John Krygier presented and distributed at 13th Annual
Critical Geography Mini-Conference (Columbus, Ohio), the North American
Cartographic Information Association annual meeting (Madison, Wisconsin);
and in 2007 at the Monticello Symposium sponsored by the Association
of American Geographers and other scholarly groups (Charlottesville,
Virginia). The atlas was also hung at the last venue. |
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2007 |
The whole was exhibited in Local
Color, a show of five artists/artist groups whose process of
art-making and idea generation is in some way fundamentally informed
by location, curated by Paul Coors for Publico, an art gallery in
Cincinnati, Ohio, November 30-December 30. |
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The Ira Glass interview was replayed
as a special part of NPR’s fall fund-raising programming. The
producer asked if they could mount any more maps, and seven of them
went up on a flickr site linked to the show page on TAL website. |
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2008 |
John Krygier published the atlas as
it exists on his Making Maps: DIY Cartography blog, high
resolution images, headlined by an installation shot from the Publico
show, together with commentary. |
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The underground map was published as
a double-page spread by Ecotone, the creative writing journal
of the University of North Carolina-Wilmington, pp. 44-45. |
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Julie Jean, La Colle 5, April
2008, “Correspondence with Denis Wood, March 7, 2008, Part One,”
and “Part Two,” unpaginated (mostly about the Boylan Heights
atlas and the Ira Glass interview). |
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Ryan Vu, “What Google Earth Doesn’t
Show You,” Independent 25(21), May 21, 2008, pp. 19-23.
Under a photo of Wood laid out on a Heezen-Tharp map of the South
Atlantic, was “his famed ‘jack-o’-lantern’
map shows the distribution of affluence in the Boylan Heights neighborhood.”
On p. 20 there’s the power line map. The street map, run small,
decorates the contents page. The maps were omitted from the internet
version but there were active links to the DIY site. |
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Most of the atlas was hung at an exhibit
at Golden Belt Arts Collaborative in Durham that was put on by the
North Carolina Community Cartographies Convergence. It was up for
almost two months. |
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2009 |
The atlas was included in Place, Identity,
and Memory, an international exhibition of artists books, at the Gracefield
Arts Centre in Dumfries, Scotland, May-July; in selected small showings
in the region; and in Stranraer in September-October, to coincide
with the Scottish Book Festival in nearby Wigtown. The exhibition
was organized by the artists collective Iris, which also produced
the amazing catalogue. |
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2010 |
The “jack-o’-lantern”
map was reproduced in xtine burrough and Michael Mandiberg’s
Digital Imaging and Collage (New Riders, Berkeley, 2009). |
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The
atlas is published by Siglio Press with an introduction by Ira Glass!!
under the title Everything Sings: Maps for a Narrative Atlas.
Siglio silmultaneously publishes six of the maps printed on vellum
in a foil-stamped portfolio, slipcased with the book, signed and numbered,
in an edition limited to 25. Siglio puts up seven of the maps on its
Facebook page |
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John
Krygier announces publication of Everything Sings on his
Making Maps: DIY Cartography blog, including a photo of a
stack of the just released book, 9/7; then three of the maps with
details and text excerpts on 10/26 |
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Everything
Sings is
featured on Ira Glass’ This American Life blog on 10/14 with
links to the radio interview on 1998 amd the Siglio site. |
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One
of the maps, “Lester’s Paper Route in Space and Time,”
sprawls across the cover of the Nov/Dec issue of Poets & Writers.
Inside the atlas is pronminently displayed on p. 69 with other “indie
innovator” books, the Lester map is again reproduced on p. 72,
and the atlas is described on p. 73 |
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A
book launch, sponsored by Siglio, Quail Ridge Books, and the Boylan
Bridge Brewpub, is held 11/16 at the brewpub. |
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Everything
Sings,
with a reproduction of its jack-o’-lantern cover, is reviewed
by John Murawksi on the book page of the Sunday News and Observer,
10/31, p. 7D |
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2011 |
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© Denis Wood 2010 - 2021 |
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